“Poignant and moody, the film recalls ‘Blow Up,’ the French New Wave and such indie American classics as ‘The King of Marvin Gardens.’” — Colin Covert, StarTribune
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“A deft homage to the great Japanese master, Ozu… it has stayed with me, inspired me, and fed me intellectually.” — Rick Vaicius, Flyway Film Festival
“A handsomely shot psychological drama” — Chris Hewitt, Pioneer Press
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